Caggiati, Colorno, Italy. likes. Matthews International Martiri della Libertà, 71 – Colorno Parma +39 Fax + Upload a PDF or design from scratch flyers, magazines, books and more. Author: iof boschetto, Catalog: Catalogo monumenti Caggiati parte 2, Published: Sep. Catalogo monumenti Caggiati parte 7. Published on Sep 19, Catalogo monumenti Caggiati parte 6. Published on Sep 19, Catalogo monumenti.
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Caggiatii system is modulated on a single vertical element of one size which, when appropriately arranged, assumes a different appearance. The objects of the collection emphasis the extreme transparency of the PMMA material, amplifying to the full the suspended effect of the central body, which is made through a process of multi-axis milling. The transparent glass body with its sober, linear form encloses a supple white catapogo, which recalls the shape of traditional urns.
The natural image of the outer forms reveals a heart of ancestral power, almost as if it were made of metal melted by the gravitational catgiati concentrated within the core of the rocks themselves. The internal form, in PMMA, acts as a container, while the steel covering is purely decorative. The entire object may be mounted on the left or on the right by simply inverting the back part.
Headquarters and Executive Offices: The bird delicately quenches its thirst at the vital source, giving continuity to the natural cycle of existence.
The wavy surface accommodates the lamp and the single-stem vase. The breath soffio is a metaphor for the catqlogo of life, ephemeral but of great plastic beauty. Beneath the steel screen is a pure, shiny white form.
The identification plaque is made with a wavy design cagglati follows the profile of the urn. It rests lightly on the object, which also holds flowers, a metaphor for flora, and together they both drink from the same source of water. It also carries the images and the texts cagigati the names and meanings of the projects.
The display system was created to render the design aspect of each element clear and interesting.
The phytomorphic shape is the decorative graphic theme of the urn, like an inflorescence growing on the same shape, giving a naturalistic air to the object which, in itself, has decidedly abstract contours. The bird is in stainless steel, and is mechanically fixed to the surface of the cube to enable it to maintain a balanced plastic vaggiati.
The bird drinks from the fountain of life and conveys the sense of the perpetuation of life and the renewal of the earthly experience.
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The items, lamp and vase, are made in extra-thick bronzed fusion, subsequently hand-worked to create the contrasting surfaces – opaque and rough for the outer parts and smooth and sparkling for the sections. The resulting block is unique, solid and ethereal. The cube is in polished PMMA. The image that caggaiti the installation evokes the intrinsic meanings of each object and helps to recall the sensations that the project conveys.
Caggiwti shininess of the metal creates different reflections according to the curve that the piece physically assumes. Behind the plates is an area for lighting and flowers.
The ornament suggests this natural condition in which commemorative monuments are historically situated.
Exfoliation is the decorative theme of this almost armoured-like metal cube. The form expresses an endless sequentiality between past and present, front and back, extremely fine fabric and dense metal. There are two colour variations: The atmosphere that is released is ethereal and impalpable.
The basic component consisting of intertwined branches is made in Corian.
BRONZE LETTERING – Caggiati
The forms are mechanically locked in the final position of balance. The two spaces of the infinity sign act as two functional catalgoo one houses the urn itself, while the other is for the floral decoration that perpetuates life and loving memory.
The project interprets the phenomenon of the decaying of the skin of solids while capturing the aesthetic and dynamic qualities. The ancient symbol of infinity dates back to the romantic period. The body of the urn is made in PMMA of a warm grey colour. The object, completely in stainless steel, is made up of three curved metal plates mounted cagggiati runners, allowing them to slide horizontally in order to freely set their length.
In this project nature regains possession, in an aesthetic and controlled manner, of the human artefact. The black element delicately welcomes renewed life. The cagggiati supporting columns act as a mobile display pedestal datalogo the urns. In line with the collection of lamps and vases, the urn narrates an ancient, Etruscan-like form suspended in a transparent cube of a futuristic style, as if it were the digital reproduction of the effect that in nature captures elements inside amber.
This project interprets infinity as a mark of spatial and visual continuity that, in turn, encloses two distinct spaces created by distorting the curved lines of the material.